Hey, Remember Alternative Rock?
I was flipping through the numerous fairly unnecessary channels that we have the other day when I came across something that caught my eye that wasn't She's the Man starring Amanda Bynes. I came across a name that made me think of man great memories of my mid-teenage years -- that's right, Matt Pinfield hosts a show on HDNet where he interviews bands, called "Sound Off with Matt Pinfield". (Wow, I just got the double entendre of the title -- both sounding off as in talking about stuff and also, the sound is off because they're not playing music. Beautiful.) Now, this show is probably one of the most boring shows I have ever seen -- Matt Pinfield and his bald, bald head talk to such hot new artists as the Goo Goo Dolls and "Weird Al" Yankovic (and this was on a "Best of Sound Off" episode!) But, I remember a time when Mr. Pinfield hosted the most groundbreaking musical adventure to ever reach my bedroom in small-town Minnesota on Sunday nights at 11:00 pm when I should have totally been sleeping instead -- "120 Minutes" on MTV in many ways helped shape me into the snob I am today. That's right -- there once was a time when MTV played music!
That time for me, and I suspect for many people in my age group with similar interests, was a time of great discovery and mystery. First, for me, "!20 Minutes" came on at somewhat of a risque time slot -- the only other entertainment on at the same time was "Jack Van Impe Presents" -- you know, the fake news show where the wife reads a news story about current events in Israel and Jack Van Impe quotes a Bible verse that has little to do with what is actually happening and probably also involves the apocalypse -- so "120 Minutes" was definite appointment television. I watched the MTV debut of The Verve's "Bittersweet Symphony" (it came on right after the debut of "Hitchin' a Ride" from Green Day's third major label album Nimrod). I learned about what was supposed to be the new grunge (electronica) and grew to love the Chemical Brothers, which probably lead to my current love for edgy yet poppy dance music. I first saw the video for Radiohead's "Paranoid Android" and officially left my flannel shirts and Alice in Chains CDs in the dust.
In a lot of ways, I miss this era of music. Nowadays, obviously, independent music is a lot easier to distribute. A band like Vampire Weekend can be unheard of six months ago and show up in Entertainment Weekly's Top 10 cool things list in the most current issue. But the mystery and allure of learning about the next groundbreaking, amazing band is gone.
Of course, this is mostly a great thing. Bands shouldn't be forced to go through the machinations of record labels to get their sound heard -- in many ways, it allows musicians to develop their art without a profit motive, and that makes it all the more pure. But, I can guarantee that when R.E.M.'s new album Accelerate comes out on April 1, I am going to buy it, and I am going to force myself not to listen to any clips before I buy it, and I'm going to try to reminisce in that feeling of getting into something totally new that hasn't been tainted by my expectations. Oh wait...it's too late. Where's Matt Pinfield when you need him?
That time for me, and I suspect for many people in my age group with similar interests, was a time of great discovery and mystery. First, for me, "!20 Minutes" came on at somewhat of a risque time slot -- the only other entertainment on at the same time was "Jack Van Impe Presents" -- you know, the fake news show where the wife reads a news story about current events in Israel and Jack Van Impe quotes a Bible verse that has little to do with what is actually happening and probably also involves the apocalypse -- so "120 Minutes" was definite appointment television. I watched the MTV debut of The Verve's "Bittersweet Symphony" (it came on right after the debut of "Hitchin' a Ride" from Green Day's third major label album Nimrod). I learned about what was supposed to be the new grunge (electronica) and grew to love the Chemical Brothers, which probably lead to my current love for edgy yet poppy dance music. I first saw the video for Radiohead's "Paranoid Android" and officially left my flannel shirts and Alice in Chains CDs in the dust.
In a lot of ways, I miss this era of music. Nowadays, obviously, independent music is a lot easier to distribute. A band like Vampire Weekend can be unheard of six months ago and show up in Entertainment Weekly's Top 10 cool things list in the most current issue. But the mystery and allure of learning about the next groundbreaking, amazing band is gone.
Of course, this is mostly a great thing. Bands shouldn't be forced to go through the machinations of record labels to get their sound heard -- in many ways, it allows musicians to develop their art without a profit motive, and that makes it all the more pure. But, I can guarantee that when R.E.M.'s new album Accelerate comes out on April 1, I am going to buy it, and I am going to force myself not to listen to any clips before I buy it, and I'm going to try to reminisce in that feeling of getting into something totally new that hasn't been tainted by my expectations. Oh wait...it's too late. Where's Matt Pinfield when you need him?
i was worried about that second paragraph when you started talking discovery.. alone..... in your bedroom......... but then it all made sense
of course you know i totally agree with you here qualler, i don't think either of us truly knows how many late night rants fueled by beer and angst we had about missing 90's alt rock
it wasn't 120 minutes for me though , it was new rock 102.1, and you guys had the buzz right?? oh man, alt rock radio was SWEET!!
Well, music wasn't the only thing I discovered in my bedroom late at night as a teen.....I also discovered.....how to sleep! Yeah, how to sleep.
But seriously, you should check out the link at the bottom to the new R.E.M. single / video -- it is probably the best thing they've done since Up, at least single-wise. Rocking, yet honest and not cloying like Monster.
yeah, new rock 102.1! i thought i was so edgy...
also, you had a tv in your room as a teenager?? spoiled! i had to sneak into the living room after my parents fell asleep and watch MTV with the closed caption on so i wouldn't wake anyone up...
how was music in closed caption, brigitte??
not great :(
whoa, 102.1! people from milwaukee posting on the blog? awesome.
i grew up without cable. i learned about alternative music of the 90's about 5 years after the fact. though i did download Kid A on napster. that changed me.
Haha, Sean, meet Paal, he's from the Milwaukee area too!
Qualler and Paal were roomies during our undergrad years up here in MN. (cue nostalgic flashback effect)
I met Paal first actually, I think, when on the bus back to the dorms from a Promise Ring (also from Milwaukee!) show. Paal said something loud and funny to me about seeing me at all the emo shows, and we immediately figured out we were both from the Milwaukee area and became friends. Thusly, I met Qualler, and we had the Blogulator baby.
There's your history lesson about the relationship between writers and commenters of the Blogulator.
P.S. I had a leather bomber jacket that had "New Rock 102.1" stitched in the back. My brother got it for me when he was a bouncer at a sponsored Tori Amos show. I felt sooo cool.
hahahahahaha.....PLEASE tell me you still have that jacket...
Chris has a brother?!?!!?!
dude. my world is rocked.
Alas, I no longer have the jacket...if my memory serves me correctly, I believe I left it on the bus one day in the 8th grade. Damn, I do wish I still had it.
And yes, a half-brother, 16 years my senior, which probably explains why he became a body piercer/bouncer/sculptor and I became a frail English teacher.
one tiny correction, chris and i first talked in the dorms once freshman year because he was wearing a midtown tshirt, and i was on their street team for some god forsaken reason... (the only thing i ever did was get a bunch of promo cds of theirs that i just left in random places around campus)
which i guess isn't really a correction, as much as it is a footnote
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